Posted by lex, on April 3, 2006
Universal Films is making a 9/11 movie: “United 93.” (Link goes to a trailer.)
Ed Driscoll notes that certain people think we’re not ready for it yet – that’ it’s too soon. And too controversial: We might get angry, or something. Launch another one of those anti-Arab domestic pogroms like the ones that happened in the immediate aftermath of the terrorist attacks.
Interested to hear your thoughts…
(H/T to Glen(n) for the link)
Update: Chap certainly sounds ready. Which leads me to a sad realization: People like Kris in New England don’t need to see this movie – their lives are filled with the awareness of loss. Many of us engaged one way or another in the fight don’t need to see it – we’re committed.
But maybe some of those who need to see it most, simply won’t – that market that I mentioned in comments works two ways.
Back To The Index
Awhile back, I was writing about a well-regarded series I saw on Amazon Prime, Dead Like Me. I learned that the creator left after only a few episodes, over differences with MGM.
I was thinking a screenwriter’s life could sometimes be rather frustrating, with revisions sought by the studio and even actors. Like trying to write a book with a lot of fingers on the pie – “No, don’t make the character like that….this is how it should end…why do you have the character doing…this?”
One would think that if a studio is sold on the pilot, then let the writers keep doing what they want with a minimum of interference.
Judge them by their own creativity.
Last year, I screened The Cold Blue, which was an amazing film. In WW2, 5 famous Hollywood directors, William Wyler, John Huston, John Ford, George Stevens, and Frank Capra went into harm’s way with small film crews and documented the war. John Ford, for example shot – I believe- the only footage of Midway as it was being attacked.
I’m in danger of swaying into this fascinating story, but I will say one thing. The war affected them all, and it can be reflected in their post war work. George Stevens, for example, having seen so much death and destruction in Europe, in making Shane, thought gunfire and being shot should be portrayed realistically, a first for a Hollywood Western.
It was said in the early 2000s that we were in the golden age of television. At last on the cable channels. Not the big screen, not the networks, but on shows like HBO, Showtime…
If you were a screenwriter, the place to be was here.
Not wanting to spend $150/month out here to get those channels, they passed me by.
But, the good thing is that many of these shows are now available to stream.
I have a post coming for the 75th anniversary of the Iwo Jima landings set to come out next month. I also watched the companion movie to Letters (they were made simultaneously) Clint Eastwood made in 2006 – Flags of Our Fathers. So you had 2 movies of Iwo Jima – from the perspectives of both sides.
It is all too easy to lump a wartime enemy into “they” with monolithic stereotypes and behavior.
I have to admit, I have a bit of a compulsive nature. Ever since I saw the movie Ford v Ferrari and posted about it, I have been interested in learning more about specifically Shelby American and their cars.
And I’m even more amazed at what this small company achieved in international racing.
This Netflix documentary really covers it all. With narration from Shelby, his sons and grandsons, Edsel Ford and his son, Henry Ford III, Peter Brock…the list goes on and on.
A bit on Carroll Shelby
In my car club, we have someone whom I would call a character and a free spirit. There are a number of stories about him, but the one I will mention tonight involves a claim of his of some years ago.
Tony casually told me that he had a dinner with Dan Gurney, Phil Hill, and Carroll Shelby.
You can imagine what I thought about that.
In the 1880s, as the world was getting ready for electricity, there was a tremendous technological battle going on. Should direct current be used as a standard, or alternating current?
Just saw a good movie detailing this battle, called The Current War. With hindsight, it seems obvious who the winner should have been, and it was the eventual winner – alternating current (for reasons brought out in the movie).
But the movie highlights the battle between direct current’s proponent, Thomas Edison, and alternating current, championed by both George Westinghouse and Nikola Tesla.
From what I know of the rivalry it was factual so what I didn’t know I will assume to be factual.
Last December, I was writing about a very limited showing of a fascinating movie on World War 1 that director Peter Jackson made. It was fascinating for the digital restoration he made of the old film, now over 100 years old.
Now Director Erik Nelson has breathed a similar new life into a film about World War 2 and the Mighty 8th AAF.
As far as video streaming goes for my home entertainment, I have been late to the party. However, once there, I have realized how much of the video world I have missed.
Some of the bigger streaming companies are taking the place of Hollywood, and making their own movies and series.
So much so that for Netflix, Hollywood is starting to take them seriously and view them as a tough competitor.